Major summer exhibitions
This summer sees a profusion of exhibitions, with subjects ranging from flowers, landscapes and the sea to highly abstract, inventive and even spiritual representations.
Renato Mambor, Zebra e Colosseo, 1965, peinture à l’émail sur toile, 118 × 142 cm. Collection Dello Schiavo, Rome. © Renato Mambor

Musée d’Art Moderne et d’Art Contemporain
Vita Nuova, new life
Nice’s museum of modern and contemporary art is devoting Nice’s museum of modern and contemporary art is devoting its summer exhibition to Italian creativity from 1960 to 1975. This period saw a new generation of visual artists hold their first exhibitions in Genoa, Florence, Milan, Rome and Turin, as well as the death of one of Italy’s most unconventional filmmakers, Pier Paolo Pasolini. New visions emerged in the visual arts, design and film during this time, and the 130 works on display here bear witness to this. It’s worth noting that Villa Arson, the Nice art school, has been examining Italian art since 1990.
Nice, place Yves Klein.
Tél. 04 97 13 42 01 - mamac-nice.org

Antoine Pierini, Colonnes Roseaux. Installation de verre de 14 roseaux sur socle en acier thermolaqué. © Ilan Dehe
Villa Kérylos
Antoine Pierini, en rêvant la Méditerranée
Villy Kérylos was built in the early 20th century by a passionate Hellenist. Now it is presenting the works of glass artist Antoine Pierini, who grew up in Biot. A member of the Studio Glass Movement, which spearheaded the use of glass as an artistic medium in its own right, Pierini completed his training overseas. His pieces are characterised by sleek lines in search of the essential. Reed columns and an interior sea inhabit the exhibition space, while contemporary forms echo ancient amphorae, and the philosophy of Albert Camus in L’Homme révolté is ever present. The works are shot through with the light of the south, caught between restraint and excess.
Beaulieu-sur-Mer, rue Gustave Eiffel. Tél. 04 93 01 01 44 - villakerylos.fr

Jaume Plensa, Macbeth I, 2000, Technique mixte et collage, 60 x 42 cm. Collection privée. © Lluís Bover/Plensa Studio Barcelona. Adagp Paris 2022
Musée Picasso Antibes, Jaume Plensa,la lumière veille
Plensa’s figures punctuate Place Massena in Nice with their colours, while his Nomade, whose body is made up of letters, looks out at the horizon in Antibes harbour. In addition to these monumental sculptures, the Catalan artist is also a fervent champion of graphic art. This exhibition, the first retrospective on the artist in a French museum, brings together 90 works made between 1982 and 2022, which create a silent world in black and white that invite visitors to meditate.
Antibes, place Mariejol.
Tél. 04 92 90 54 20
antibes-juanlespins.com

Hockney – Matisse. Un paradis retrouvé
You only have to look upwards in Nice to discover an Eden proliferating on the facades of buildings built from the Belle Epoque period onwards. Flowers are part of the popular culture and compete with each other during the carnival. This year, the theme is at the heart of the Nice Biennale of Contemporary Art, and is explored in an array of exhibitions including the one organised by the Musée Matisse, which highlights the astonishing parallels between the Fauve master and British artist David Hockney. The works on display include Hockney’s latest series of flowers on the iPad.
Nice, 164 avenue des Arènes de Cimiez.
Tél. 04 93 81 08 08 - musée-matisse-nice.org

Immersion dans le monde polaire à Monaco. © P. Fitte
Musée océanographique de Monaco
Mission polaire
Like his great-grandfather Prince Albert I, the explorer who founded the Oceanographic Museum, Prince Albert II of Monaco travelled to the North Pole. The experience made him realise the importance of international cooperation; he then set off to the South Pole and the images of this expedition went around the world. The major new exhibition at the temple to the sea reflects this commitment to the planet, offering an adventure to the heart of the Antarctic and Arctic. Visitors embark on a journey, in five stages, to meet the wildlife and humans who inhabit the poles, with immersive displays that create a 360° experience.
Monaco, avenue Saint-Martin.
Tél. +377 93 15 36 00
musee.oceano.org

Jean Dubuffet, Mouchon berloque, 1963, huile sur toile. © Fondation Dubuffet, Paris
Musée de Vence
Jean Dubuffet, humeurs vençoises
Dubuffet was a major force in the art brut movement after 1945, which was informed by the rebellious spirit of its self-taught creators, and is now highly prized by museums. Jean Dubuffet was also strongly connected with the Vence area having worked there for almost 10 years, creating assemblages of prints and experimenting widely with other art techniques. This exhibition is a testament to his inventive spirit.
Vence, 2 place du Frêne.
Tél. 04 93 24 24 23 - vence.fr

Gilles Clément, Etude pour le château de Mouans-Sartoux, 2004. Réalisée dans le cadre d'un projet d'aménagement paysager François Navarro, paysagiste. Œuvre préparatoire. © Yves Chenot / Cnap
Espace de l’Art concret
Gilles Clémet.
Gilles Clément redesigned the gardens of Château de Mouans-Sartoux for the opening of the Donation Albers-Honegger building in 2004. A gardener, landscape designer, botanist and entomologist, Clément opens a dialogue between the different concepts he has explored in relation to landscape, and the contemporary artists in the collection who have investigated our connection with nature. A fruitful encounter.
Mouans-Sartoux, Château de Mouans Tél. 04 93 75 71 50
espacedelartconcret.fr

Sam Francis, Tokyo, 1957. Huile sur toile, 197,7 x 396,5 cm. Collection Fondation Gandur pour l’Art, Genève. © André Morin - ADAGP 2022
Fondation Maeght Saint-Paul
Au cœur de l'abstraction
À côté des musées publics, les fondations sont désormais de plus en plus présentes en matière d’art contemporain. Première fondation privée née en France, l’institution fondée par Marguerite et Aimé Maeght en 1964 sert cet été d’écrin aux œuvres de la fondation Jean-Claude Gandur, créée en 2010 par l’homme d’affaires, collectionneur et mécène suisse. Une plongée dans l’abstraction, des années 1950 à 1980, avec des figures telles que Calder, Hartung ou Hantaï, et autour de l’art non-figuratif.
Alongside public museums, foundations are increasingly present in contemporary art. The Fondation Maeght Saint-Paul is France’s first private art foundation, created in 1964 by Marguerite and Aimé Maeght. This summer it is showcasing works from the Jean-Claude Gandur foundation, established in 2010 by the Swiss businessman, collector and patron. The exhibition immerses visitors into abstract and non-figurative art from the 1950s to the 1980s, featuring work by artists including Calder, Hartung and Hantaï.
Saint-Paul-de-Vence, 623 chemin des Gardettes.
Tél. 04 93 32 81 63 - fondation-maeght.com

Tom Wood, Looking for Love - série Chelsea Reach, 1984. Tirage à développement chromogène, 38 x 56 cm.
Centre de la photographie de Mougins
Tom Wood, Every day is Saturday
This summer, Mougins Centre of Photography showcases the historic series of Tom Wood, an Irish photographer whose prints are in the collections of MoMa and the Victoria & Albert Museum. The self-taught artist produced a raw portrait of the working class people of Liverpool and the banks of the Mersey, and is also a master of technique, ranging from the use of outdated film to panoramic shots.
Mougins, 43 rue de l’Eglise - Tél. 04 22 21 52 12
centrephotographiemougins.com

Orsten Groom, Mitte, 2020. Huile et glycéro sur toile, 220 × 220 cm. © Courtesy Templon, Paris – Brussels
Suquet des artistes Cannes
Orsten Groom, Limbe
The Cannes space continues to welcome important national figures such as Orsten Groom, a multidisciplinary artist of Jewish and Russian-Polish descent currently represented by Templon Gallery. Groom became an amnesiac while studying at the Beaux-Arts, and made a name for himself during the Covid pandemic by opening a clandestine private space at a secret address in Paris. The painter’s powerful canvases are like networks that shoot off in opposite directions, catching the eye with the materiality of their colours.
Cannes, rue Saint-Dizier - Tél. 04 97 06 44 90 - cannes.com




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